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Outlining a Nonfiction Book: A Writer’s Tips and Strategies for Drafting an Effective Outline

Outlining a Nonfiction Book: A Writer’s Tips and Strategies for Drafting an Effective Outline

Writing a book is an exciting journey. And, as with any journey, it contains both ups and downs. However, experienced writers simplify their journey by having an accurate roadmap.

When writing nonfiction content, outlining becomes the roadmap that leads a writer from point A to point B as efficiently as possible.

Often, inexperienced writers go about their projects without a clear idea of what they intend to communicate. As a result, they struggle to finish their endeavors. However, a solid outline can provide writers with the clear path they need to produce high-quality works without wasting precious time and effort.

In this article, we will explore the importance of writing an outline for nonfiction books and will discuss the tips and strategies that successful writers use to produce effective outlines.

Why Writing Outlines are a Must

Writing a book is meant to be a finite activity. It has a beginning and an end.

This assumption is true so long as the writer completes their task. However, most aspiring authors find themselves struggling to finish what they start.

Many factors hinder a writer’s ability to complete a project.

To begin with, some writers lack the expertise needed to complete a full book. Many would-be writers neglect to develop a system that aids them in producing a finished draft.

Other times, first-time authors do not have a clear idea of the message they wish to convey.

Therein lies the importance of outlining.

Suzannah Windsor Freeman, founder of Write It Sideways, offers this insight into the importance of outlining a writing project, “The reason I believe in the benefits of outlining is that it simply gives you less room for failure.”

The idea of “failure” pertains specifically to leaving the writing project incomplete. An outline can drastically reduce the odds of leaving a writing project undone because it limits the project’s scope and helps the writer focus on specific points within the general topic.

One of the foundational elements of nonfiction writing is research. After all, nonfiction content should stem from relevant information.

As such, research helps the writer concentrate on detailed information that will allow them to develop their narrative.

Without an outline, a writing project can progressively degenerate into a compendium of facts and data that do not lead anywhere. Ultimately, the project may become a vast information dump if it ever comes to fruition.

The most significant benefit derived from outlining pertains to creating a constant thread throughout the finished project. Even though nonfiction books contain facts and data, that does not mean they should not have a storyline.

A storyline is a consistent narrative that enables readers to follow the author’s main points as they navigate the content.

Outlining helps writers maintain that constant thread throughout the writing project. Without an outline, writers may diverge from their main storyline. Therefore, the book may fall into rambling or become altogether pointless.

Creating an effective outline entails having a clear picture of what the book aims to cover and the message it looks to contain.

Therefore, authors should avoid writing a nonfiction book without one. Regardless of skill level and experience, using outlines helps maintain focus while drastically improving the odds of seeing a writing project through to the end.

Organizing an Outline

An outline is essentially a list of items that will make up the final draft. As such, this list provides writers with a roadmap, leading them to the desired outcome.

Most outlines work in a list format. This format allows authors to visualize what they intend to cover in each section. Consequently, the list of items provides a structure to follow throughout the book.

The purpose of an outline is to arrange and develop ideas formally. While an outline should not be immutable, writers should nonetheless adhere to it as much as possible.

Deviating from the outline’s contents may lead to losing the project’s scope and message. Therefore, a solid outline should incorporate flexibility whenever possible. By doing so, it allows authors to ad-lib without risking a major divergence from the book’s original concept.

Also, an outline should organize content by linking ideas to one another. Moreover, an outline should reflect which points need more support to develop fully. This decision boils down to the book’s overall scope.

For instance, an author may feel that certain points warrant more attention than others. In consequence, the outline should reflect this decision.

It is worth noting that there is no “right” or “wrong” way to craft an outline. However, there are best practices to keep in mind. These practices contain the guidelines to follow when producing an effective outline.

Outline Best Practices

First, the outline should clearly establish the topic. Broad topics such as “The French Revolution” are too vast to develop in a single volume adequately. Therefore, the outline should delineate the topic as specifically as possible.

Second, an outline must contain the points to cover in the book. As a general rule of thumb, a 60,000-word nonfiction volume should contain 12 to 15 chapters.  Thus, this implies outlining 12 to 15 main points.

While the book could certainly have less than 12 chapters, authors must avoid cramming large amounts of information into a single chapter.

Third, chapters must flow in a logical sequence. Ideally, each chapter should build on the previous one. By the time the reader reaches the final one, they have a full picture of the author’s message. The entire discussion builds the writer’s thesis thoroughly.

Fourth, sub-points help breakdown main ideas into manageable chunks. Sub-points provide the reader with a pathway through each of the main points. This sequence provides readers with a clear roadmap. Generally speaking, each main point should have at least two significant sub-points. Otherwise, that main point might best become a sub-point in another chapter.

Lastly, a thorough review of the outline should ensure all main points receive adequate coverage. Also, it is crucial to eliminate unnecessary information. To maximize space, only items that contribute to the book’s overall thesis should comprise the content.

Here is a sample look at what a run-of-the-mill outline would look like:

  1. Introduction
  2. Chapter One (main point one)
    1. Sub-point one
    1. Sub-point two
  3. Chapter Two (main point two)
    1. Sub-point one
    1. Sub-point two
  4. Chapter Three (main point three)
    1. Sub-point one
    1. Sub-point two
  5. Conclusion
  6. References

The proposed outline structure shows a standard way of organizing an outline. Please bear in mind that each chapter represents the main idea. Every sub-point represents a specific concept for that chapter. The number of chapters hinges on the proposed word count and overall scope of the project. As such, larger projects would have more chapters than smaller ones.

Details of an Outline

Generally speaking, writers ought to produce an outline before writing. Nevertheless, creating an outline can happen at any stage of the writing process.

Some writers create their outlines after conducting research. As such, they can organize their main and sub-points based on the compiled information. Others prefer to write and then create an outline to serve as a checklist during the review process.

The first step in the outlining process is to establish the overarching theme and thesis. These two elements will lead to determining the book’s title and subtitle.

Moreover, the thesis should determine the number of main and subpoints that will support the book’s overall scope. These elements must appear in the introduction. The introduction is where authors present their case and state their thesis. Additionally, the introduction serves to outline what contents readers can expect throughout the book.

The next step involves determining the book’s size. This decision largely depends on time constraints or publishing space.

If space is unlimited, then anything goes. A typical nonfiction book ranges around 50,000 to 60,000 words. Nonfiction eBooks often range between 25,000 to 30,000 words.

The final decision on word count should keep the target audience in mind. A target audience comprised of avid readers could easily consume 50,000 words. In contrast, a quick how-to guide should take up around 10,000 to 15,000 words.

Outline Structures

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One system both fiction and nonfiction writers use frequently is to outline their ideas using the Index Card Method.

Successful nonfiction author Steve Scott uses a specific Index Card system to manage ideas during the outlining process. In his system, index cards represent chapters and sub-chapters. Three to five index cards full of notes represent one chapter’s worth of notes. One full chapter should contain roughly 10 to 12 cards.

In total, a finished book should contain about 30 to 60 index cards. Naturally, a larger book would have more cards. Nevertheless, the ratio described in this system provides a ballpark figure.

It is also worth formulating a specific structure for individual chapters. The following structure offers a suggested guideline for every chapter, regardless of specific content.

  1. Hook. A hook is an opening statement or paragraph employed to capture the reader’s attention.
  2. Thesis. This is the main argument the chapter will discuss.
  3. Supporting details. Supporting details is specific information utilized to give credibility to the main argument.
  4. Examples. Often, abstract information requires specific examples to illustrate its application. Also, additional examples provide the reader with a practical sense of the content.
  5. Summary. The summary should encapsulate the chapter’s message.
  6. Takeaways. The chapter’s main takeaway(s) should leave the reader with a recommendation, reflection, or even a call to action.
  7. Segue. A segue is a statement or short paragraph that entices the reader to move forward in the book.

This structure enables writers to create a rhythm, enabling them to produce quality chapters consistently. It is worth reiterating that the outline process intends to reduce the likelihood of failure. A chapter structure such as the one described above would greatly reduce any incidence of failure to complete a writing project.

Five Mistakes to Avoid When Writing an Outline

Photo by Ketut Subiyanto from Pexels

There are several pitfalls to keep in mind to make the outlining process as beneficial as possible. In particular, these pitfalls represent mistakes during the conceptualization process of the book’s content. As a result, it is worth taking a closer look at these issues.

Mistake #1: Not telling a story

The biggest mistake a writer can make is not telling a real story. This mistake can quickly derail a book.

Even when the writing is fantastic and the research appropriate, not conveying a message will leave the reader without a clear path. Therefore, nonfiction writers should always strive to tell a story.

This story represents the message the author wishes to convey.

Mistake #2: No logical starting point

Lacking a logical starting point may confuse readers from the start. For instance, assuming that readers are already familiar with the topic is often a mistake.

Unless the book specifically caters to a well-versed group of readers, authors must assume that readers are not familiar with the topic. Thus, writers must build knowledge from fundamental concepts up to larger, more complex ones.

The outline’s organization needs to reflect a logical progression in its chapter organization. Failing to do so may leave readers confused and uninterested.

Mistake #3: Not taking the target audience into account

A huge mistake novice writers make is not writing for their target audience. This mistake is evident in the writing style.

Writing style must match the target audience’s knowledge level, experience, and background.

For example, using highly complex language for a general audience may alienate some readers. In contrast, using an informal, conversational tone would be inappropriate for an academic subject.

Therefore, the outlining process should reveal the most appropriate writing tone and style.

Mistake #4: Producing an “information dump”

Producing an information dump can lead readers to lose interest.

Books loaded with vast amounts of data can lead readers to question the book’s message. The book must have a message in order to keep the reader hooked on the subject.

Books with a clear message use data, even when voluminous, to support it. Doing so keeps readers engaged. However, citing facts and figures for the sake of sounding smart does a disservice to readers.

Consequently, using the suggested chapter structure should aid writers in producing captivating and informational content.

Mistake #5: Lack of emotion

Nonfiction writers may lack an emotional element to their content. While emotion is a staple of fiction writing, in the nonfiction domain, emotion is crucial.

Regardless of the topic, writers can use their emotions to convey their passion, enthusiasm, or perception. Hence, the outlining process can reflect these emotions. A simple note such as “Chapter One: My Personal Journey into Gardening” serves to remind the writer they intend to take their readers through the journey that lead them to their love of gardening.

Ultimately, the outlining process allows writers to plan as many details as they wish. For some writers, a broader outline may suffice. For others, a highly detailed outline would better serve their needs.

Therefore, writers should tinker with their outlining process until they find the one that suits their needs best.

Conclusion

The outlining process is crucial to the success of a nonfiction book. And producing an effective outline can drastically reduce the likelihood of a book remaining unfinished.

Most importantly, the outlining process enables writers to plan the details related to their content. Without it, a writer may lack direction. Lacking a clear direction may cause the content to appear disjointed and incoherent to the reader.

While the research and writing may be high-quality, an incoherent message can derail great work. Ultimately, writers must strive to communicate their overarching theme and thesis across their content. Each chapter serves to gradually build their argument, thereby taking readers through a journey of discovery.

In the end, the reader will take away the pearls of wisdom the writer intends to share with them. All of this is valuable work that begins with writing an effective outline.

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Jennifer, also known as "Rizzo," is a Denver-based writer and genealogist with a passion for history, travel, and languages. She studied Spanish at the University of Guadalajara in Guadalajara, Mexico and also lived and studied in Ancona, Italy. She also holds a certification for International Tour Management through the International Guide Academy, as well as a Genealogy certification from IAP Career College. Since joining The Writers For Hire, Jennifer has tackled a vast array of projects—from RPFs and SOPs to memoirs and company history books— and has done many in-depth genealogical research and family tree projects. She has also worked as Project Manager for various client projects, including family history books, websites, RFPs, blogs, autobiographies, and SOPs. Jennifer is our resident historian and genealogist, and can often be found examining 200-year-old books in various archive sites around the globe. She enjoys working closely with clients, and loves any opportunity that allows her to indulge her creative side.

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After putting in enough time as a busboy, a cheesesteak artist, a medical courier, and a nightclub bouncer, Peter took the logical next step—securing a position at a bicycle shop. While serving as a mechanic and a salesman, his incriminating degree in creative writing from the University of Arizona got him assigned to every additional duty that had anything to do with words. Between all the wrenching and selling, Peter wrote website copy, emails, blogs, digital and print ads, press releases, articles, advertorials, and scripts for radio and television commercials. What started as a summer job evolved into an 18-year career in the cycling industry, gaining him experience in corporate communications, public relations, social media management, event planning, marketing, and retail advertising. Since joining The Writers for Hire, Peter has branched into ghostwriting, op-eds, RFPs, SOPs, and producing work for aerospace and engineering firms, public utilities, oil and gas companies, real estate developers, and the entertainment industry. At his home base in New Jersey, Peter spends his free time souping up cheap vintage guitars, admiring his dog, and talking about moving to the Adirondacks.

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She earned her Master of Fine Arts in Creative Writing with a concentration in screenwriting from National University in La Jolla, California, and her Bachelor of Arts in Writing from the University of Tampa in Tampa, Florida. 

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Carol Kim is a versatile freelance copywriter who specializes in content marketing, blog posts, website content, and email marketing for business clients. She especially enjoys diving into research and discovering what makes every company unique. Carol holds a bachelor’s degree from Pomona College and a Master’s in Public Affairs from the LBJ School at the University of Texas at Austin.

Carol is also a children’s book author, having written several fiction and nonfiction books for the educational market. She especially loves helping kids learn about the environment and social sciences. Her first nonfiction picture book from a trade publisher is due to be released in fall 2021. 

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Suzanne Kearns - Copywriter

Suzanne knew she wanted to be a writer at the age of ten when she wrote her first story, and has spent the past 2 decades writing blog posts, magazine articles, nonfiction and fiction books, sales letters, white papers, press releases, website copy, and anything else that can be put in written form. She has written for Intuit, Avalara, NerdWallet, GoPayment, and as a ghostwriter for a few well-known CEO’s. Her work has appeared all around the internet, including on sites like World News and Reports, Entrepreneur.com, and Forbes. She loves nothing more than being presented with a bunch of data and asked to break it down into digestible content for readers. Most days you’ll find her sitting on her porch with her laptop, writing to the sound of the ocean, and marveling that life can be this stinking good.

Jennifer DeLay - Copywriter

Jennifer has a background in journalism and Russian area studies. She holds a BA from the University of Texas at Austin and an MSFS from Georgetown University. While in graduate school in the mid-1990s, she developed an interest in the oil and gas industry of the former Soviet Union and launched a free newsletter covering the subject. She then spent more than 20 years researching, analyzing and writing about related topics, working for multiple weekly publications and a private consulting firm. Her areas of professional interest also include energy and power in China, Iran and the Eastern Mediterranean, and for fun she researches linguistics, neuroscience and disability-related issues. She has experience in copy-editing and has frequently worked with both native and non-native English speakers, helping them to produce clear, easily understandable articles on complex political, economic, legal and technical topics. Additionally, she has managed many time-sensitive typesetting projects for community institutions. Jennifer enjoys writing personal essays and lives in Atlanta with her family.

Dana Robinson - Copywriter

Dana Robinson has been writing and editing professionally for 10 years, publishing her first article in 2007. She serves as Editor-in-Chief of a local online magazine and is a contributor to various Houston print publications. She honed her experience writing newsletters and managing social media for small businesses and non-profits before moving on to e-books, magazines, and non-fiction books for print. She also enjoys teaching creative writing workshops for children. Dana received her formal education at the University of Houston–Downtown, where she majored in professional writing, minored in creative writing, and was the recipient of the Upper Division Writing award for best essay. She completed internships with Writers In The Schools and The Bayou Review.

Brenda Hazzard - Copywriter

Brenda Hazzard has over 30 years’ experience working as a writer and editor in the private and public sectors. She spent over 20 years working for the US Government in Washington and abroad, and spent several years working with the CIA during which she managed a team of writers producing internal briefs on international news, events, and politics. She writes on a variety of topics but loves opportunities to work on projects that cater to her keen interest in international affairs. She considers herself to be an empathetic editor, one who improves a draft but lets the spirit of the writer shine through. She has also worked on dissertations, white papers, newspaper articles, and family histories.

Adelia Ritchie - Copywriter

Adelia is a scientist, educator, technical writer and editor, poet, and blogger about her Pura Vida lifestyle in Costa Rica. She has more than 40 years experience writing professionally, including her years at Science Applications International Corp., Bechtel Corporation, Defense Acquisition University, and the Department of Defense. She earned her Doctor of Philosophy in Physical Organic Chemistry at Northwestern University in Evanston, Illinois, and her Bachelor of Science in Chemistry and Physics from the University of West Florida in Pensacola, Florida.

Carey Miller - Copywriter

Carey brings more than 20 years of writing and editing experience to The Writers for Hire. A lifelong writer and reader, she holds a B.A. in English from UCLA. Her background includes writing and editorial positions with both book and magazine publishers. She has worked as a copy editor and proofreader for major advertising agencies including Ogilvy & Mather and Rubin Postaer. Her experience includes magazine feature writing and editing as well as manuscript development and editing. A former advertising sales executive, she has crafted a wide range of business, sales, and marketing communication for leading magazine publishers including Conde Nast and Hearst. She has worked with major consumer brands including Nike, Visa, Levi’s, General Motors, Microsoft, Charles Schwab, and Neutrogena.

Coralee Bechteler - Copywriter

In the past, Coralee has been an organic farmer, a chicken herder, a zipline administrative assistant, and an ESL teacher for kids. Today, she's living her childhood dream of being a writer. She currently resides in New York with her cat (and muse) Hermes and a miles-long TBR list that gets longer every day. If she's not reading or crafting, you can usually find her pulled over on a country road writing something down or picking wildflowers. Coralee holds a bachelor's degree in English, an associate's degree in Horticulture, and multiple internationally recognized software testing certifications.

Cecile Brule - Copywriter

Cecile enjoys the challenge of discovering each client’s unique strengths and presenting them to a wider audience. Since joining The Writers For Hire, she has worked on blogs, newsletters, RFPs, end-user documentation, email, social media, sales pages, biographies, op-eds, and fiction.

Previously, she taught in Shenzhen, China and obtained an HSK3 (Intermediate Mandarin) certificate. Cecile enjoys gaming, drawing, producing short films, and growing fifteen different varieties of apples with Serenity Orchards.

Rosalind Stanley - Copywriter

Rosalind Stanley grew up on the Coast of Maine and then accidentally spent fifteen years in Virginia's Blue Ridge Mountains, before moving to the Midwest. She graduated from Lynchburg College in 2008 with a B.A. in Creative Writing (and a minor in Theater Performance); ever since, Rosalind has endeavored to make writing a part of her daily life, whether creative or technical, whether as a volunteer or an employee. She has tutored students, taught workshops, edited fiction and non-fiction books, and worked as a beta reader and a legal writer. She also publishes a newsletter on Substack, where she releases her own fiction serially. When not writing, Rosalind is busy homeschooling her four children and raiding the local library for new fiction.

Sean Patrick Hill - Copywriter

Sean has been a professional writer for more than 25 years, and has an M.A. in Writing from Portland State University and an M.F.A. in Poetry from Warren Wilson College. He's the author of five books, and his writing has won him grants and fellowships from the Kentucky Arts Council, the Vermont Studio Center, the Elizabeth George Foundation, and the Regional Arts and Culture Council. He lives in Louisville, Kentucky, where he also works at his photography.

Wintress Odom - Owner / Editor-in-chief

Wintress founded The Writers For Hire in 2003 after freelancing for several years as a copywriter and editor. She has overseen, edited, proofread, or written copy for over 100 clients and is happy to have maintained long-term relationships with many of her first customers. Wintress is an exceptional proofreader and editor and has a gift for organizing large projects, including large technical manuals and manuscripts. Her educational background includes graduating cum laude from Rice University in 2000, studying at Cologne Gymnasium in Germany, and graduating valedictorian from The Science Academy of South Texas in 1994.
Wintress