Fantastic Words to Describe Obscure Emotions

FANTASTIC WORDS TO DESCRIBE OBSCURE EMOTIONS

Have you ever found yourself searching for a word to describe certain emotions or feelings, but just can’t put your finger on the right one? Well, believe it or not, there is actually a word for that. It’s called “lethologica.”

But lethologica does not have to get you down. It turns out there is a whole collection of words to describe obscure emotions or feelings that you often don’t know names for. So many words, in fact, that there is an entire website dedicated to them called The Dictionary of Obscure Sorrows.

While the website includes 117 of these heartbreakingly beautiful words, here are some of our favorites:

Anchorage

n. the desire to hold on to time as it passes, like trying to keep your grip on a rock in the middle of a river, feeling the weight of the current against your chest while your elders float on downstream, calling over the roar of the rapids, “Just let go—it’s okay—let go.”

Anecdoche

n. a conversation in which everyone is talking but nobody is listening, simply overlaying disconnected words like a game of Scrabble, with each player borrowing bits of other anecdotes as a way to increase their own score, until we all run out of things to say.

Ambedo

n. a kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—briefly soaking in the experience of being alive, an act that is done purely for its own sake.

Chrysalism

n. the amniotic tranquility of being indoors during a thunderstorm, listening to waves of rain pattering against the roof like an argument upstairs, whose muffled words are unintelligible but whose crackling release of built-up tension you understand perfectly.

Gnossienne

n. a moment of awareness that someone you’ve known for years still has a private and mysterious inner life, and somewhere in the hallways of their personality is a door locked from the inside, a stairway leading to a wing of the house that you’ve never fully explored—an unfinished attic that will remain maddeningly unknowable to you, because ultimately neither of you has a map, or a master key, or any way of knowing exactly where you stand.

Lilo

n. a friendship that can lie dormant for years only to pick right back up instantly, as if no time had passed since you last saw each other.

Onism

n. the awareness of how little of the world you’ll experience.

Rubatosis

n. the unsettling awareness of your own heartbeat, whose tenuous muscular throbbing feels less like a metronome than a nervous ditty your heart is tapping to itself, the kind that people compulsively hum or sing while walking in complete darkness, as if to casually remind the outside world: “I’m here, I’m here, I’m here.”

Rückkehrunruhe

n. the feeling of returning home after an immersive trip only to find it fading rapidly from your awareness—to the extent you have to keep reminding yourself that it happened at all, even though it felt so vivid just days ago—which makes you wish you could smoothly cross-dissolve back into everyday life, or just hold the shutter open indefinitely and let one scene become superimposed on the next, so all your days would run together and you’d never have to call “cut!”

Sonder

n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries, and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.

Vellichor

n. the strange wistfulness of used bookstores, which are somehow infused with the passage of time—filled with thousands of old books you’ll never have time to read, each of which is itself locked in its own era, bound and dated and papered over like an old room the author abandoned years ago, a hidden annex littered with thoughts left just as they were on the day they were captured.