Word Tip of the Week: Using the Readability Feature

Writing something for the general public?

Then you’ll want to aim for about a 5th grade reading level.

If you’re writing for an academic journal, on the other hand, you’ll probably want to aim for college level.

How do you know if you’re close?

There’s a handy feature tucked inside Word that will let you know if you’re in the right ballpark for your audience’s reading level.

To check readability:

1. Go to File -> Options.

2. Select Proofing in the left-hand menu.

3. Check the box next to Show readability statistics.

4. Click OK.

 

 

5. Run your spell checker by going to Review -> Spelling & Grammar.

6. A dialogue box will appear. Check the Flesh-Kincaid Grade Level.

 

 

As you can see, this blog post is between 5th and 6th grade reading levels.

For tips to help you create the perfect Word document, check out our other “Word Tips of the Week!”

 

 

 

Word Tip of the Week: Format Painter

If you’ve ever copied content from one document and pasted it into another, you’ve probably had to go back to fix the formatting so that it matches.

There are a couple ways to get everything uniform, but none of them are as good as Format Painter.

This single button makes tedious formatting a breeze.

To use Format Painter:

1. Highlight some text containing the formatting that you want.

2. Click on Format Painter in the toolbar.

3. Highlight the text that you want to change. It will change to the desired formatting.

 

 

On the other hand, you might want to keep the formatting from the original document.

In that case, try the little clipboard that appears after you paste in your content.

That clipboard will give you the option to keep the original formatting.

 

 

If only all Word formatting was this easy!

But if Format Painter doesn’t fix your problem, check out our other Word Tips of the Week.

 

 

Word Tip of the Week: Use Your CTRL Button

This week’s tip isn’t specific to Microsoft Word – but it sure makes typing in Word a lot faster.

Learning a few control button commands will keep your fingers on the keyboard instead of drifting over your computer’s touchpad.

Here are a few of our most-used CTRL button functions:

 
• CTRL A to highlight all
• CTRL C to copy to the clipboard anything you’ve highlighted
• CTRL V to paste whatever you copied to the clipboard
• CTRL Z to undo
• CTRL Y to redo
• CTRL ENTER adds a page break
• CTRL H to search and replace

 
Stay tuned for more tips to make you faster in Word!

 

 

Word Tip of the Week: Add Another Language to Spell Check

Are you tired of Word giving you a long errors list because you use languages other than English in your writing?

If you’re a science writer who uses a lot of Latin words, or anyone else who uses dual languages in your writing, then you can speed up the spell-checking process with the Languages feature.

This feature allows you to add languages to your spell checker so that a) those languages don’t come up as errors, and b) Word will make sure you get the spelling right.

To tweak the languages in Word:

1. Go to File -> Options

2. When the dialogue box opens, click on Language

3. Under Choose Editing Languages, use the drop-down menu to choose a language you want to add. Click Add.

 

 

4. Repeat as necessary to add more languages. Click OK.

Now your spell checker is finally multilingual!

Looking for more ways to maximize Microsoft Word? Stay tuned for more “word tips of the week.”

 

 

The Finesse of Dealing With Difficult Clients

We all dread those emails.

The ones where you can almost hear the client yelling at you through the computer screen.

When those emails arrive, it’s hard not to immediately jump on the defensive and start to fight back.

However, addressing those situations in a professional and polite way is imperative to maintaining good client relations.

But how do you do that?!?

Try to see things from another perspective

Sure, it may sound cliché, but there is a lot to be said for having a bit of empathy in these situations.

Often, a client is upset about something that could be easily remedied, if you just take the time to try to understand exactly what the issue is. Tweet this

It’s also important to remember that there are sometimes communication breakdowns when relying on emails. – Things frequently come across differently than how they were meant.

So, pick up that phone and make the call. Chances are that a quick conversation can iron out any issues, and your project can be back on track in no time.

Image by Azmi Talib from Pixabay

But what if they start to yell?

Unfortunately, this happens more often that we’d like.

You call a client, intending to address their concerns, and they immediately start to get volatile.

Once again, your defense mechanisms kick in, and you find yourself fighting the urge to get caught up in their anger.

Doing that will only escalate the issue, though, so take a deep breath and follow these tips:

  • Listen


    Many problems arise when people feel like they are not being listened to or heard. Resist the urge to immediately talk back, and just listen to the problem from their point of view. This does not mean that you have to sit there and let them yell at you, though. If their tone and language become borderline abusive, it is important to respectfully remind them that you want to hear what they are saying and try to find a solution, but you cannot do so unless they stop yelling.
  • Acknowledge & Empathize

    Let them know that you realize they are upset and that you really do care and want to resolve the issue. Simply stating “I understand,” and then re-iterating what you believe to be the problem will show them that you are listening and trying to see where they are coming from.
  • Stay Calm

    Do not engage in petty arguments or finger pointing. Keep a low voice and maintain your composure. Do not fuel the fire—just state the facts and focus on finding a solution. Keep in mind that it is not personal, and do not react emotionally.
  • Accept Responsibility

    Nobody is perfect. Be willing to admit to any wrongdoing on your part and offer a way to make it right.
  • Propose a Solution

    Try to come up with a way to fix the issue that all parties can be happy with. But don’t make compromises you are not okay with just to make the customer happy.
  • Follow Up

    Once you are done with your call and have come to some kind of resolution, be sure to send a follow-up email. This will ensure that everyone is on the same page and can alleviate any other possible issues in the future.
Photo by Moose Photos from Pexels

What if they refuse to take your call?

Sometimes a client gets so upset that they refuse to speak with you on the phone.

They send you an angry email, but your calls go straight to their voicemail.

This is when good written communication comes into play.

Again, it is important that you don’t get caught up in their anger and respond in an emotional way.

Before you even hit the “reply” button, carefully read through their email again, and try to understand EXACTLY what the cause of their frustration is.

Once you have re-read their email (and taken a few deep breaths), get ready to draft a reply using these steps:

  • Acknowledge

    Tell them that you see that they are upset, and then explain your understanding of the problem, based on what they told you in their email. As tempting as it may be to just ignore their snide remarks, failing to address the main issue will just make it worse.
  • Propose a Solution

    Are they upset because they don’t like something you have written? Offer to go over the things they did not like, so you can understand what they were unhappy with, and re-write those sections. Are they panicking because a deadline is approaching? Re-assure them that you know when the deadline is and that you have a plan to complete the work in plenty of time to meet that deadline. Whatever the issue may be, you almost always can find a way to fix it.
  • Stick to the Facts

    Occasionally a client will get angry because you did not complete something. What they are failing to admit, though, is that the item was not completed because THEY did not provide you the information needed to complete it. If this is the case, politely remind them that while you would be happy to complete it for them, you still need “xyz” before you can do so. If you previously provided them with a list of deliverables that they promised to send you, this is a good time to send that list again and let them know that once you receive the outstanding items, their project can be completed.
  • Keep a Polite Tone

    This can be tricky to do in an email. Too often your words can be construed as rude, even when you did not intend them to come across that way at all. Be sure to read, and re-read what you write, to ensure that nothing you have written could be taken the wrong way.
  • Suggest a Phone Call

    The quickest and best way to resolve any issue is to get on the phone and talk it out. At the end of your email response, it’s always a good idea to suggest that you set up a time to talk, so that you can be sure that everyone is on the same page. The client may still refuse to talk to you, but it is always worth a try.

Know when to walk away

You’ve emailed, you’ve called, and they’re still upset.

You’ve proposed solutions, but they are not responsive to your efforts.

They seem set on being angry, and it’s clear that nothing that you do is going to change that.

It happens.

Occasionally there are those clients who will never be happy, no matter what you do.

In those circumstances it is okay to recognize that they are this type of client, and be okay with walking away.

It’s not worth compromising yourself (or your sanity) to bend over backwards, trying to make them happy.

In the end, you can only do so much. And that’s okay.

The Writers For Hire: A Look at 2017

Two-thousand seventeen was an exciting year at The Writers For Hire, Inc.

We celebrated some big milestones and witnessed our community come together in amazing ways, during a time of crisis.

As we reflect on the past year, we are ever grateful for the opportunities we have had to meet so many wonderful people who have greatly contributed to the growth and success of TWFH. Tweet this

OTC 2017

At the Offshore Technology Conference (OTC) in May, we had a great time chatting with O&G industry representatives from Houston and around the globe.

We were also pleasantly surprised by some of the amazing corn hole skills we witnessed.

A big thanks to all of you who took the time to stop by to see us at our booth!

10-Year Anniversary!

In July we celebrated the 10-year anniversary of our awesome senior editor, Stephanie Hashagen.

This was the first 10-year employee anniversary for The Writers For Hire!

To help commemorate this exciting milestone, we asked Stephanie to share some of the wisdom she has acquired over the past ten years.

Media Mentions

TWFH partook in a couple of fun media events in 2017…

In July, Media Bistro published an article about Wintress Odom, our owner, titled “The Pros and Cons of Running a Writing Agency.”

The piece described Odom’s journey from freelance writer to founder of a successful writing-services company.

VoyageHouston, a community news publication, featured Odom and TWFH in November.

The artice, “Meet Wintress Odom of The Writers For Hire in West,” includes some of the challenges Odom has overcome while building her business, along with shout outs to some of the people who helped her make TWFH a success.

Hurricane Harvey Relief

After Hurricane Harvey devastated greater Houston with floods in August, we witnessed the very best of humanity, as people from all walks of life came together to help however they could.

We are extremely grateful those who, like our Communications Manager Brittany Cooper and her husband Cody, put their lives on the line and traveled throughout the Houston area by boat, rescuing people who were stranded in their homes.

We also want to thank all of you for pitching in and helping the Odom’s and The Writers For Hire provide much needed supplies directly to flood victims. We could not have done it without you!

We will forever be inspired by the “everyday heroes” who selflessly stepped forward to make a difference in the lives of others.

Donation to Las Amigas

In November, TWFH was given the opportunity to participate in an amazing event, benefiting Amigas Para Niños, a nonprofit organization helping young people in need.

We were very excited to find out that the personal history book package we submitted was auctioned off for $2,200!

It really was an honor to be part of such a worthy cause.

2017 was truly an incredible year, and we have all of you to thank for that.

We cannot wait to see what 2018 brings!

 

THE ART AND SCIENCE OF RFP WRITING

We’ve written quite a few blogs about how to craft a thoughtful, well-organized response to a request for proposal (RFP).

If you’ve ever been tasked with responding to an RFP, you know that proposal writing takes a staggering amount of work, and just the right balance of art (writing and communication are definitely arts) and science (developing best practices, adhering to all rules and guidelines, etc.)

We’ve also been on the other side of the process – and we’ve learned that writing the actual RFP can require just as much work – and the same balance of creativity and attention to detail.

And we’ve identified some common sets of best practices that will help guide you through the process, whether you’re writing an RFP for a government organization, a private company, or a non-profit organization.

 

Prep work and writing

Grab your color palette and your microscope: Prior to putting the RFP “out on the street” you’ll need to use art and science to define the deliverables; develop a budget; and create project-specific evaluation criteria that will determine award of contract.

 

Task: Scope of work

  • Art- Communication is an art – and as project manager/lead writer, you’ll need to communicate and coordinate with all stakeholders on your team to figure out exactly what services and/or products you’re looking for and how long you’ll need them.
  • Science- You’ll need to create a detailed Scope of Work (SOW) that details of the products, services, and deliverables you expect from a potential vendor. This is the time to think (and write) like a scientist – stick to facts and be as specific as possible about what you need.

 

Task: Budget

  • Art- You’ve no doubt heard of the art of negotiation – but budgeting is an art, too. To avoid setting your budget too high or too low you’ll need to come up with numbers that strike just the right balance.
  • Science- Good, old-fashioned scientific inquiry is key to this step. Some key questions you’ll need to answer include:
  1. How much can your organization afford?
  2. How much do you actually want to spend?
  3. How much do the services and/or products outlined in your SOW typically cost?

 

Task: Timeline

  • Art- Can planning be an art? Absolutely – especially when you’re dealing with a complex project with lots of moving parts. Ideally, you should to give vendors enough time to review your RFP, submit questions, and craft a well-thought-out proposal; you’ll also want to give yourself and your team enough time to review each proposal and select a winner.
  • Science- Create a detailed calendar that outlines each milestone for the RFP process, including:
  1. The date your organization plans to release the RFP
  2. The deadline for vendor questions
  3. The dates and times of any interviews, meetings or Q&A sessions related to your RFP
  4. The date finalists will be notified
  5. The date you’ll announce the winning bid

 

Task: Evaluation Criteria

  • Art- It’s brainstorming time. Get your team together, get creative, and make a list of your “ideal” candidate. What would make a vendor stand out from the crowd? What are your “must-haves” and what are your “nice-to-haves”? Are there any deal-breakers?
  • Science- Now that you know what you want, you’ll need to find a way to make your criteria measurable. You could do this by developing a points system or a rating scale. The goal should be to create a system that will allow you to do an apples-to-apples comparison of all proposals.

 

 Task: Writing, Editing, and Proofreading

  • Art- At this point, you should have everything you need to write a draft of your RFP. Writing is truly an art, and a well-written RFP should communicate your needs clearly and succinctly. The more specific you can be with your instructions and expectations, the better your chances of receiving useful and thorough proposals.
  • Science– Break out the microscope, because you’ll want to review your RFP draft very carefully: Check your facts, re-read your instructions and look for inconsistencies; review facts, dates, and contact information. And don’t forget to do a thorough proofreading to ensure that your final draft doesn’t contain any spelling and grammar errors.

 

Congratulations! If you’ve reached this point, you’ve successfully navigated the art and science of crafting an RFP, and you’re ready to send the draft out into the world.

But don’t hang up your easel and microscope just yet – you’ll need them.

 

Responses, revisions, and compliance

Now that the RFP has been published you can just sit back and wait for proposals to start rolling in, right? Well, not quite.

This phase of the process requires you to actively track responses, answer questions, amend or revise the RFP as needed.

 

Task: Tracking Inquiries

  • Art- You’ll need to know who submitted proposals and when. The “art” part of this task is coming up with a simple, easy-to-update system for tracking responses. This could be anything from a spreadsheet to a living list housed on Google docs to a hand-written note.
  • Science- Whether you’re new to the RFP process or you’re simply trying to find a better way to keep track of proposals, treat this part of the process like a science experiment: Take notes on what works (and what doesn’t), and adjust, adjust, adjust until you’ve got a system that works for you.

 

Task: Answering Questions and Amending RFPs

  • Art- As we mentioned in the “Prep work” section, writing is an art – and you’ll need to bust out your best editorial skills as you review vendor questions and update, revise, or amend your RFP in response.
  • Science- Amending an RFP is a highly-structured process. As you amend your RFP, you’ll need to follow the rules and regulations to the letter, with a laser-like focus and a microscope’s-eye-view of every last requirement.

 

Task: Determining Compliance

  • Art- Your first step toward choosing a winner is a review of all the proposals submitted. At this point, you should be thinking “big picture” — you’ll have plenty of time to get into the weeds during the evaluation phase. Of course, Even with a government RFP, there’s a bit of art and balance involved in deciding whether a proposal is considered “compliant.” For example, if a proposal follows the important rules regarding content, you and your team may decide to overlook the occasional typo or funky formatting error (after all, everyone makes mistakes).
  • Science- Human error and typos are one thing – but rules are rules. While your inner creative may be willing to forgive the occasional misplaced comma, the logical, left-brain part of you should be on high alert for deal-breakers, such as:
    1. Proposals turned in late
    2. Proposals that are missing required/requested information
    3. Proposals that don’t follow your requested structure or formatting
    4. Proposals that do not include required documentation, such as information about insurance, finances, and processes.

 

Evaluation and choosing a winner

As the old saying goes, “All that glitters ain’t gold, and all that’s gold don’t glitter.”

And, in the world of government RFPs, you’ll need to separate the gold from the glitter to choose finalists or a winning vendor.

Simple compliance isn’t quite enough, and attractive design can only go so far (we’ve seen our share of “pretty” proposals with surprisingly little substance).

Your team will have to use a combination of creativity, communication, and objective “just-the-facts” judgment to evaluate each proposal that makes it past the initial “compliant or not” screening.

 

Task: Evaluating Proposals

  • Art- You’ll need to artfully manage and facilitate team communications to ensure every member of the evaluation team is given equal consideration.
  • Science- You’ll also need to make sure that the team sticks to your agreed-upon scoring system as they evaluate each proposal. This isn’t a situation where gut feelings should take over.

 

Task: Negotiations and Award

  • Art- You’ve selected a winner – and now it’s time to talk terms. At this point in the process, everything is on the table. This is the “emotional” side of the process: Your artful communication skills will help you work with your team to determine deal-breakers and non-negotiables – and help you work with your selected vendor to come to an agreement that makes everyone happy.
  • Science- There’s more to negotiation than making sure everyone gets what they want (or that they’re at least satisfied with the compromise). As you negotiate, you’ll need to get everything in writing and take detailed notes that you can use when you move on to the drafting phase: Purchase orders must be generated and approved per generally accepted accounting principles; and you’ll need to keep an eye out for any scope changes.

 

Task: Contract Writing

  • Art- After the negotiations, it’s time to write up the official contract. Put on your writer/editor hat, and remember to seek feedback from your team members as you write a draft.
  • Science- Documentation of the offer, acceptance, and consideration must be enforceable – and you’ll need to make sure that the contract adheres to any regulations or requirements.

 

Lessons learned

The great thing about writing RFPs is that each one is an opportunity to improve, streamline, and develop a set of creative and scientific best practices that will make things go more smoothly next time around.

We can’t promise that writing an RFP will ever be easy, exactly – but just like any other artistic endeavor, practice makes perfect. Tweet this

And, just like a team of scientists working on an experiment, your RFP team will find ways to improve the RFP writing process and develop a set of best practices that will ensure the best possible end product.

Reading Between the Lines: Avoiding Communication Breakdowns in the Creative Process

If there’s one thing that drives a project forward while keeping everyone working toward the same goals, it’s good communication.

At some point or another, all agencies encounter communication breakdowns.

You think a project is moving along beautifully only for it to hit a sudden stall as you come up against an (occasionally angry) brick wall.

When good projects go bad, it can lead to reduced productivity, duplication of work, costly misunderstandings, and considerable financial damage. Just think about these statistics:

Only 2.5% of companies successfully complete 100% of their projects on time, within budget, and to scope; and 57% of projects fail due to a breakdown in communication.

To sidestep these familiar traps, it is essential for businesses to be sure they are on the same page as their clients.

So how do you avoid these potential difficulties and make sure that open communication channels are maintained?

To find out, we interviewed four experts, each of whom have vast experience in project management and client liaisons.

We discovered the key to great communication is to optimize communication at any point where it has potential to break down: that is the beginning, middle, and end. And yes, that means the whole project.

THE BEGINNING

It’s worth keeping in mind that sometimes, people are just poor at communicating.

We all have our strengths after all – and if you are working with the CTO, his expertise is likely in technology, not conveying creative concepts. Tweet this

In instances where it is difficult for the client to articulate what it is they don’t like about something, remember that “the project” can be an abstract concept for some people until they see it.

Richard Woods, finalist in The Apprentice UK and CEO of Yomp Marketing, says it’s important to ask the right questions, but “usually the reason the client doesn’t like something is because they haven’t given enough thought to what they want. All they know is, when they hear something which doesn’t sound or look like what they are trying to achieve, they don’t like it.”

To work this out, editor Erin Larson says that it’s key to “find out what the client particularly likes AND dislikes. Having them provide concrete examples gives you a good idea of their desired direction.”

Getting the project off on the right foot ensures that the rest of the process runs smoothly.

Four simple yet often-overlooked steps can keep this part of the procedure as solid as possible.

1. Pick up the phone

While email can be an effective communication tool, never underestimate the power of picking up the phone, particularly at the beginning of a project.

Spending time getting to know the client – and particularly what they are hoping to achieve – will steer the project away from potential surprises.

“Our kick-off calls are integral to getting our projects off to a solid start” says copywriter Barbara Adams. “We can make sure we understand the client’s goals and expectations, get a grasp on how much research we’ll have to do, and get to know each other’s personalities and style. It’s a low-risk, high-reward introduction to working together.”

Woods says there are three equally essential ingredients for good client management:

  1. Communication
  2. Relationship
  3. Getting the work done

Having these three components in place ensures that your project runs as smoothly as possible. All parties are on the same page from the beginning, which helps to avoid any communication breakdowns further along the line.

Woods actively encourages staff to pick up the phone to clients, as regular calls throughout the project solidify these three elements, helping to build trust and develop rapport vital for a smooth process.

“If you do the work but you don’t have a relationship with the client, they will find it very hard to see your vision,” says Woods. “The process will also fail if you have a relationship but you are not communicating, similarly if you are communicating but not getting the work done.”

2. Send a summary

Following up phone calls with an email summarizing your understanding of the conversation is a good way to reiterate the points raised and ensure that everyone is on the same page.

Always remember to check the tone of the email to make sure it is aligned with the conversation and goals of the project.

It’s also a good idea to send your email to everyone involved in the project to keep all team members up to date. Larson says, “Many clients don’t CC – which means that if it’s a team-based project, only one member of the editorial team hears from the client. Pay close attention that everyone on the team gets all the correspondence.”

Many agencies send creative briefs to their clients as a way of summarizing their understanding of the initial stage.

These briefs usually contain an overview of the project, which identifies the marketing problem, the goal of the campaign, the target audience, and a detailed schedule for completion of the various stages.

Creative briefs allow you to delve deeper into the project at the initial stage by undertaking preliminary research to assist you and your team further down the line.

3. Teach them how to work with you.

Working with writers is often a new experience for clients.

When they see something they don’t like, they are often unsure how to provide the very thing the project needs most to succeed: constructive feedback.

Remember that any feeling of uncertainly on the client side can quickly turn to frustration and project-related stress.

Preempt this situation by clearly laying out what to expect on your first call.

  • First, tell your client that edits are normal and part of the writing process.
  • Second, explain how to give feedback. Larson suggests small feedback be provided on the document, using track changes. When it comes to larger feedback, she has a different process, “When a client has major changes, it’s very hard for them to clearly express what is wrong in an email or on-document. Strongly encourage them to call you and explain any big-picture comments.”
  • Third, it can be a good idea to let your client know that proofreading is completed on the final Some clients can get overly concerned if they see a typo on document, but it’s inefficient to do a thorough proofing on every version. A small preparatory comment can help put an occasional mid-draft typo in perspective.
  • Finally, walk them through the next steps. Every writer will likely have their own processes. Let the client know what those are. For example, Woods outlines an 11-step process that precisely details how the project will be managed at each stage. This gives the client something to refer to if they are unsure of what is going to happen next, as well and provides a solid foundation for the management of the project.

4. Plan around your client’s schedule

Having a good understanding of your client’s schedule means you can be smart about keeping to deadlines and schedules.

Does your client have any regular commitments which could obstruct your planned weekly check-ins?

Will there be specific times of the day which are not suitable for contacting the client due to school runs or meetings?

Are there any planned absences you need to take into consideration, such as extended vacations?

Woods says his company learned the importance of knowing schedules the hard way after one client went away for a month without undertaking any of the necessary sign-offs before they left.

“We had no choice but to make presumptions about what the client wanted, some of which turned out to be wrong; this in turn created a strain on the relationship. We’ve learned that having foresight of client trips is essential in managing the process and ensuring everything is done before they go.”

THE MIDDLE

Getting a solid foundation in place at the very beginning will get the relationship off to good start, but communication can still break down halfway through if you don’t work proactively to keep everyone on the same page.

Our experts shared a few tips on how to keep information flowing and clients informed:

1.Use a collaborative project management system

Whether you use Googledocs, Excel spreadsheets, Wrike, or internal software, joint project management systems not only help promote productivity and task ownership among team members, but also enable everyone to keep track of the progress of a project. They also come with the additional bonus of allowing colleagues to pick up a project in your absence.

2. Schedule recurring meetings

Pre-booking a standing monthly, or weekly, check-in with your client is a great way for both of you to keep track of the project.

While emails and phone calls are good for keeping in touch, face-to-face meetings instill a sense of control in the client and provide them with a solid opportunity to speak up if they are unsure of where the project is heading.

This also gives you the chance to demonstrate your commitment to the project by really listening to what the client says. After all, they are the ones with the information you need to do the job effectively.

Take comprehensive notes of the meeting, including not just what was said and agreed, but also what was implied.

After each meeting, remember to share these notes with all internal and client teams. This will give both parties something to fall back on in the event of a breakdown in communication.

3. Think like a client

While it can be frustrating to play the waiting game with clients, it’s important to remember that, most of the time, they have delegated something to you because they are busy.

Your project may be one of many other projects, so try to have empathy and avoid jumping to assumptions when a client doesn’t respond.

Adams says, “There’s a fine line, I think, between excellent customer service and being an outright pest. I’ve had clients take weeks to respond to an email or call, and I’ve had to keep gently reminding them I’m out here, waiting (and waiting and waiting). It helps that I was on the client side for many years. I realize that radio silence doesn’t mean the project is off or the client is unhappy. Sometimes priorities change.”

Channeling your inner client or drawing on your own previous experiences as a client, if possible – will form your approach to the management of the project, but keep in mind that you may need to look at re-negotiating deadlines so you can complete the work to the client’s standard.

THE END

Sometimes, even with every management system and scheduled meeting in place, issues that compromise the completion of a project can still arise.

Sometimes clients are managing multiple priorities at work, meaning that although you may have spent three hours elegantly reporting a vital sign-off stage, they had no more than five minutes to review it.

Things you thought they approved, they simply didn’t look at, or maybe you didn’t explain your work product well enough.

Whatever the reason, finding out at the last minute that the client is unhappy with the final product can be a tricky situation to manage.

Planning ahead for this by setting aside a “buffer zone” of time toward the end of the project is a great way to manage any surprises.

Referring to the three main ingredients for good management of a project, Woods says that, at this point, it’s good to bring the relationship aspect forward and think about making concessions, while also bringing their attention to the importance of staying informed about the project in future, as “this type of scenario really tests how good your relationship is with the client.”

If you do end up with an irate client, says Larson, do not attempt to address the situation via email. Get them on the phone – no matter how uncomfortable you may feel with the situation.

A few tips for that conversation:

  • Do not get defensive.
  • Do not try too hard to explain how you ended up where you did. Deal with the current situation and the solution. Don’t dredge up the project history, which can lead to useless finger pointing, and will not lead to a positive outcome.
  • Explain that you both want the same thing, and that you will help make that happen.
  • No matter how large the rewrite (or how frustrating), listen to what the client is saying with an open-mind, so you can clearly ascertain what exactly the client is looking for.
  • If a rewrite is in order, suck it up, and rewrite it. Don’t try to salvage your favorite lines. Start with a fresh sheet of paper.

Finally, Be Yourself

Ultimately, your client’s perception of you can impact on how they feel about your work.

While great communication can always be learned, it is the fundamental authenticity of your character which builds your client’s trust in you and generates repeat business.

Equestrian journalist and HorseHour podcaster Amy Stevenson, says that maintaining professionalism is vital, but it’s also worth letting your personality come through if you want to continue working together. “Engaging and connecting with your client is the best way to build a solid foundation for keeping them in the future.”

Open up a little and get to know your client on a personal level. Who knows, it could mean the start of a long and happy collaboration.

Interview: Writing With SEO In Mind

If your website content is a key to search engine optimization (SEO) success, what kind of content should you be writing?

Wintress Odom, owner and senior editor of The Writers For Hire, answers that question a lot, and she has some do’s and don’ts for you.

Click play below to hear the interview.

5 Copywriting Rules that Haven’t Changed

How to Write Web Copy that Sells Stuff and Engages People #4: 5 Copywriting Rules that Haven’t Changed

It’s our last installment of our blog series on web writing, and we’re ending it by revisiting classic copywriting rules that still apply to creating great online content.

1. Be concise. Snip unnecessary items.

To quote the infamous Strunk and White: ”A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.”

Another great thinker, Thomas Jefferson, wrote “The most valuable of all talents is that of never using two words when one will do.”

When you’re writing, it’s sometimes easy to incorporate a lot of fluff, unnecessary words, and meaningless phrases. Some hard-nosed editing is usually in order to eliminate wordiness. Strunk and White have a good list of words to omit (you can see it here) to make your copy leaner and stronger.

For instance, “in order to” can be substituted with simply “to.” Or take “the fact that.” That phrase can be compacted into “because” or “since.”

Substitute words and phrases to make your sentence more precise, like this:

Original: We are committed to giving our sales-force 30 hours of XYZ training

Better: Our sales-force has 30 hours of XYZ training.

Best: Our sales-force trains for 30 hours in XYZ.

Likewise, paragraphs shouldn’t have extraneous sentences, and your web pages shouldn’t have information that doesn’t belong on the page. Don’t let readers get bogged down by too many words and extraneous information – keep it neat and simple.

The best time to abbreviate copy is during the editing stages. Sit down and review all of your content, going line by line and ask yourself “Are all of these words, and all of these sentences, absolutely essential to my meaning?”

Or, as a copywriter might say “Are all of these words essential?”

2. Include a clear call to action.

We’ve touched on calls to action throughout this series, but we just want to drive this point home: Your call to action should always be clear, regardless of whether your website is selling something, branding your company, impressing investors, or convincing people to support your cause.

Your reader should know what you want them to do after they read any page. Every page on your website should have a call to action. Every. Single. One.

First, decide on your call to action. Don’t leave room for your readers to get confused – tell them what you want them to do, whether it’s coming in to your store, donating, filling out an investor qualification form, playing a mini-game, calling for a free quote, or buying a service directly on your website.

The second part of having a clear call to action isn’t just having one – it’s about proper placement on the web page. Calls to action should be prominent, such as in a header or in a bold sidebar. A call to action that’s buried in the middle of a paragraph won’t get noticed. Always include you call to action at the bottom of every page (so readers don’t have to scroll up), but if it’s a long page of copy, make sure your call to action is peppered throughout.

Remember: direct your readers to “Buy now!” or “Download a Free Trial” or “Call for Details” – and always make sure they can see your call to action clearly.

3. Explain benefits, not features.

This is one of the most common newbie mistakes: A lot of beginning writers and very smart people don’t differentiate between features and benefits – but there’s a big difference between the two. When describing a product or service, it’s important that you highlight benefits, not just features.

Features describe an attribute of your product or service. For example, a watch might have “illuminated dial,” “digital alarm,” and “solar-powered battery.” All of those things are features of the watch.

But why do I (or anyone) care about the features that watch has?

I only care because of the benefits: The illuminated dial means I can tell the time in the dark. The solar powered battery means I never have to replace the battery. The digital alarm means that I can use it as an alarm clock or stop watch. These are the benefits.

Emphasizing the benefits of your product or service is more important than emphasizing features – that’s because benefits persuade, features only inform. Benefits are relevant to customers, features aren’t.

So instead of describing a feature of your business or product – like a custom exercise program – sell the features – designed specifically for you and your fitness goals. For further discussion about features vs. benefits, see this copywriting 101 blog post.

4. Make your copy reader-directed: Use “you,” not “me.”

You shouldn’t be afraid to use colloquial language and pronouns in your copy. But remember not to talk about yourself – talk TO the reader. That means using words like “you” instead of “our/we/and me.” Talking to your reader directly addresses what your reader wants, what she needs, and what she likes.

When you find yourself talking about your product or service, turn your sentences around to address the reader. For example, consider website copy that says “To place an order, click here or call a sales representative at 1-800-653-9999 and we will be happy to help.”

A better, reader-oriented way of saying this might be “Ready to place your order? Get started now with our online registration form. Or if you’d rather speak to a sales representative, give us a call at 1-800-653-9999 24 hours a day – we’ll happily take your order over the phone.”

See the difference? Using the word “you” makes the copy directly relevant to your reader. Use it often.

5. Be specific.

Think of the last argument or heated debate you had. Speaking in generalities – broad statements like “dogs are invariably better cats than pets” – simply won’t convince your opponent.

Examples and facts persuade, general statements don’t.

Just like when you’re arguing with a friend, specifics add credibility to website copy, and that specific information can make a difference between a convinced and an unconvinced reader. Which statement is more convincing to you:

1. Netflix has over 13 million members worldwide.

2. Netflix is one of the most popular DVD rental websites worldwide.

If you picked the first option, you’re right on the money. The first example is much more specific – it tells you exactly how many members Netflix has, and it avoids unsubstantiated claims like “most popular.”

So that’s it for our brief blogging parlay into web writing. You might not be a web writing guru just yet, but you have all the basic tools to get started. And as always, drop us a line with your most pressing, annoying, or befuddling web copywriting questions and we’ll be sure to share our thoughts!

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